[Powderworks] Sell-outs
Mike Blackwood
mikeb@cs.mun.ca
Tue, 8 Oct 2002 15:33:49 -0230 (NDT)
On Tue, 8 Oct 2002 CYakaAL@aol.com wrote:
> Everyone is entitled to his or her own opinion. And we all know is that
> today's music is a combination of art and commerce. But when is enough,
> enough? And when does it become clear that an artist is more interested in
> commerce than art?
When they make their art their primary income? Hmm. That's not true for
many full-time bands though. (ie the Oils)
> In my case I'm not attacking a particular style of music or an attempt by an
> artist to become more popular by playing more mainstream music. What I am
> attacking is someone who feels the need to showcase their talent at a
> sporting event. If that's not an appearance for the sake of commerce, I
> don't know what is.
Maybe boosterism for a sport that artist enjoys?
> It also takes other forms. Sheryl Crow who seems to be the favorite of so
> many classic artists seems to be the biggest offender. Her so-called single
> (I say that because the idea of singles in CD days seems ludicrous) ends up
> being released at the same it appears in an American Express commercial, that
> also stars, guess who Sheryl Crow.
yeah, that's crass.
> Do you want your artist pushing a product other themselves and their music.
> I don't. I mean how much money does one need.
Well, no, but they're not "my" artist. The issue is between them and
their concience.
> And they're artist who still have integrity. Midnight Oil, U2 having only
> slipped once and we may forgive them for thinking they had a message behind
> their appearance. We have Neil Young who even coined the phrase, "this
> note's for you." So all is not lost.
>
> But some of these acts are nothing more than capitalism in its worse form.
> And when the money stops flowing so does the music.
True of most pop music, I agree.
Hold together,
Mike