I believe that the Commonwealth Government contributed about $100,000 for
the Black Fella White Fella tour in the form of a recording industry / arts
grant.
-----Original Message-----
From: John McCrory
Sent: Monday, April 04, 2011 6:25 PM
To:
tomspencer@eml.cc ;
powderworks@yahoogroups.com.au
Subject: Re: [powderworks] 'The Break' break for a bit, and why Sir Walter
Scottwas happy to sell out.
I seem to recall the black fella white fella tour was government funded...&
Penthouse mag tried to ask PG about it & he got the shits ....
Sent via BlackBerry® from Telstra
-----Original Message-----
From:
tomspencer@eml.cc
Date: Mon, 4 Apr 2011 07:52:08
To:
<powderworks@yahoogroups.com.au>
Subject: [powderworks] 'The Break' break for a bit, and why Sir Walter Scott
was happy to sell out.
Interesting point, Miron, and I kinda' agree.
I remember when the Oils toured with Crowded House and Hunters and
Collectors (1995?), in the 'Breaking the Dry' series of concerts. Lots of
people assumed they were raising money for farmers, but no, even the Oils
had to make a living! (But they still let some folks out the front of one
of their concerts collect for charity).
Apparently nineteenth-century writer Sir Walter Scott had the view that it
was more important to pay his debts if he could, rather than produce high
quality art that didn't necessarily sell. In his diary he wrote of two
books 'I think it is the publick that are mad for passing these two volumes.
But I will not be the first to cry them down' (Australia Day, 1832, p 213).
So 'selling out' in the modern artistic sense was not a problem.
But when I posted, I was thinking of Jim M. who posted a link to John
Densmore ('The Doors'), on the question of art for art's sake:
http://www.idafan.com/Densmore-TheNation-July8-02.htm
t
PS - I just noticed that The Break are taking a breather (after their recent
shows, I guess), some of which time will be spent in the studio:
http://www.reverberama.com.au/news.html
On Sun, 03 Apr 2011 23:35 -0700, "Miron Mizrahi"
<mironmizrahi@yahoo.com>
wrote:
not sure I agree. we seem to subject musicians to a different set of rules
and we seem to forget that it is their job and they are out there to make
money. being a musician is not like your run-of-the-mill job. how many of us
have spent the first few years of their careers working but not making any
money? how many jobs are out there where you are only as good as your last
performance? how many of us are protected by a slew of legislation - from
long service leave to unfair dismissal? how many musicians have pensions and
IRAs? would any of us be "accused" of selling out if we took a job for
higher pay? or a job with a global company? nearly all of them can be
accused of some unsavory, or worse, behaviour. Shell and Saro-wiwa, BHP in
PNG, Enron, Apple and HP and Foxconn. yet for us, this is a no brainer.
there seem of be a culture of entitlement which is prevalent amongst fans.
as some of you may know, I am a huge Neil Young fan. he has just started
touring and as if on queue, the "ticket prices" debate on the list reared
its ugly head. "he is charging more than the Stones and when Springsteen
played here last month he charged less". he can charge what he pleases and I
can decide whether to go or not and we don't owe each other anything.
yes - there are some extreme cases like the Oils who seem to exhibit more
"moral fiber" than other contemporaries. but I would argue that most, if
not, all of their decisions were done based on what is best for them rather
than following some set of noble ideas. the fact that their decision and our
view of nobility was often the same is great. but should not distract us
from the fact that they knew the consequences and did what they thought was
the best for the band.
so the concept of a musician who sold out, is IMO, more often than not, our
own fabrication. they are just like everybody else. how howzat for stating
the obvious? :)
Miron
How could people get so unkind?
From: Tom
<tomspencer@eml.cc>
To:
powderworks@yahoogroups.com.au
Sent: Mon, April 4, 2011 4:13:44 PM
Subject: [powderworks] Selling out
http://doonesbury.com/
The Oils only ever 'sold out' stadiums, and a beer barn at Beenleigh
(Brisbane) where the opening act, a local diva, asked everyone to stop
smoking because it was bad for her voice. And they did! Perhaps even that
security guard at the front that Peter Ga. told to turn around, rather than
watching the show for free.
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